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I had not
drawn before the pandemic, not even in kindergarten. In
March 2020 I was in Uruguay working on translations when
COVID-19 shut down the world. I was stuck like everyone
else, in my case in a rental apartment 5763 miles from
home in Wisconsin. Everything in my Montevideo
neighborhood was closed except the grocery store which had
some colored pencils for kids. So one day I bought a box
and a pad of paper. I wanted something to do besides
staring at the computer reading bad news all day. So I
started drawing. After a while I began posting my sketches
on social media where my friends were supportive and full
of good suggestions. Like a lot of people during lockdown, I found online classes to help me with my new interest, because I really had no idea what I was doing. I took my first online graphic narrative class with Kristen Radtke, then went on to take classes from Amy Kurzweil, Melanie Gillman, Leela Corman, and a number of classes from the Royal Drawing School in London including two wonderful ones with Sarah Lightman. I wrote what turned out to be a series of essays illustrated with my drawings. Two of these, “The Fox Sister” and “Speak Up,” won essay prizes at New Letters and the New Ohio Review. In 2022, I took my first in-person art class. It was with my colleague at University of Wisconsin–Madison, Lynda Barry, the queen of comics. We had shared students for years, and it was a great privilege to be in her class. Lynda says that there is no difference between drawings and words. Words started as drawings. We can and should do both. And now I agree. Below is my book-length—full color!—graphic memoir French Girl. Below that are examples of my graphic work that can be seen online, revised versions of which became chapters in French Girl. |
French Girl Published in 2024 by Fieldmouse Press, 244 pages (ISBN 9781956636383). It can be purchased here. “Poet and memoirist Kercheval (Space) makes a vibrant graphic debut in this gathering of loosely connected reveries on family history.... Kercheval writes with a musing, inquisitive voice but also embroiders her accounts with fairy tale flourishes. The description of the dozens of antique clocks displayed in her friend Jackie’s house gives way to a journey through a Narnia-like door to a distant forest; elsewhere, there are pricked fingers and glass coffins.... Kercheval’s arresting, mostly full-page pastel illustrations possess a dreamlike quality reminiscent of Matisse and Chagall (with nods to Cocteau). These evocative personal allegories unearth the knotted roots feeding a very particular family lore. Readers will be beguiled.” —Publishers Weekly “Filled with bold, expressive drawings, French Girl is a graphic memoir told in 17 connected stories of childhood, girlhood, sisterhood, and motherhood. A slightly surreal real—a broken back, front yard mausoleums, Napoleon, Bourbon, war, and breasts—is intercut with the fantastic—a dream of flight, a guardian wolf, a menacing Jack Frost on a frozen lake—as this technicolor work takes us from an Emperor’s bed in Fontainebleau to a hypnotic Florida with citrus groves full of thorns and rockets blasting off for the moon. French Girl vividly, viscerally unsnarls the love and pain that passes between generations of women as it leads the reader, as if in a fairy tale, into the forest, through dark depths and into light.” —Washington Independent Review of Books “The pages of French Girl could be framed and hung in a museum, but lucky for us they are bound in our hands, sequencing a creative vision. With this gorgeous marriage of minimalism and expressionism, Kercheval conjures dreams, fairy tales, and persistent aches; a witness to the surreal pain of lost worlds and the exuberant beauty of remembrance.” —Amy Kurzweil “With dreamlike drawings reminiscent of Chagall, Kercheval welcomes us into her meditation on family history, motherhood, grief, love, and displacement, rendered in colors so beautiful they’re almost edible.” — Leela Corman “Jesse Lee Kercheval has reached all the way down to the very bottom of a lake called Story and rescued the faces once forgotten there. And French Girl is the beautiful tale these faces have been waiting their whole lives to tell.” — Sabrina Orah Mark “French Girl is an arresting and beautiful memoir that evokes the infinite complications of daughterhood and motherhood in raw, gorgeous color. It pulses with heart, figuratively and literally.” —Anthony Doerr “French Girl delivers an enchanting and ethereal world paired with dreamy illustrations that evoke uncommon richness and depth of feeling. A true delight!” —Aimee Nezhukumatathil |
Breasts Find it here, published in Image (Issue 119, Winter 2023). |
Clocks Find it here, published in New Letters (2023, Issue 89, 3 & 4, pp. 82-104). |
The Body is a Vessel Find it here, published in Fourth Genre (July 17, 2023). |
Wolf Find it here, published in Booth (2023). |